Really important to learn this one, because after it you will be able to play bar/barre chords. Just move the F major (or minor for that matter) fingering up the fretboard & you'll have a major chord at each fret. An obvious point, maybe, but a revelation for me.
Also, it's often easier, especially with F, to play the triad + octave at the top rather than all of the strings.
I use the guitar normally. It's tuned normally. I work on, sort of, certain pitch relationships, when I use pitch. I work from a practical point of view. That is, the music to be acceptable as far as I'm concerned, has to work in my terms. That is it has to sound right. I don't have any sort of huge abstract theories into which I try and make the music fit regardless of this other aspect of playing - if it sounds good when you're performing, then that's the main thing. It's got to be immediate - that type of thing. That I think is a very conventional way of approaching music for a performer.
I don't use a lot of conventional techniques on the guitar. But then, I'm not interested to play in the areas those techniques were developed to serve. It wouldn't be any good for my purposes to do a sort of imitation of Charlie Christian or something. People can refer to that, say, as conventional guitar playing. But it isn't. It's conventional jazz guitar playing of a certain period. To certain people, the only way to play a guitar is in a flamenco style, which I think is quite beautiful, incidentally. These are taken to be sort of standard conventional techniques - but, actually, they're techniques that serve certain purposes.
This blog will be about my travails as I learn to play and learn about the guitar. The URL mayandme is a tribute to my all-time favorite guitarist, Brian May, as well as that movie about Ben Franklin and his mouse -- don't ask me why it popped into my head when I was starting the blog. I fell in love with his sound when I was young and have never loved another the same way. Although I did, like everyone else at math camp, go through a 'Stairway to Heaven' phase.
Really important to learn this one, because after it you will be able to play bar/barre chords. Just move the F major (or minor for that matter) fingering up the fretboard & you'll have a major chord at each fret. An obvious point, maybe, but a revelation for me.
ReplyDeleteAlso, it's often easier, especially with F, to play the triad + octave at the top rather than all of the strings.
Helpful quote from Derek Bailey:
ReplyDeleteI use the guitar normally. It's tuned normally. I work on, sort of, certain pitch relationships, when I use pitch. I work from a practical point of view. That is, the music to be acceptable as far as I'm concerned, has to work in my terms. That is it has to sound right. I don't have any sort of huge abstract theories into which I try and make the music fit regardless of this other aspect of playing - if it sounds good when you're performing, then that's the main thing. It's got to be immediate - that type of thing. That I think is a very conventional way of approaching music for a performer.
I don't use a lot of conventional techniques on the guitar. But then, I'm not interested to play in the areas those techniques were developed to serve. It wouldn't be any good for my purposes to do a sort of imitation of Charlie Christian or something. People can refer to that, say, as conventional guitar playing. But it isn't. It's conventional jazz guitar playing of a certain period. To certain people, the only way to play a guitar is in a flamenco style, which I think is quite beautiful, incidentally. These are taken to be sort of standard conventional techniques - but, actually, they're techniques that serve certain purposes.
I haven't even tried the version of F that uses all the strings. Barre chords will take time. I just can't seem to push down right. I need a demo.
ReplyDeleteBailey is smart.